If there are any guidelines, Optima should be set more open than tight. It can be set quite tight, or even slightly open – especially the capitals. Optima also benefits from a wide range of letter spacing capability. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima can be set within a wide choice of line spacing values – from very tight to very open. The lowercase a and g in Optima are high-legibility two-storied designs. The M is splayed, and the N, like a serif design, has light vertical strokes. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. Only the E, F and L deviate with narrow forms. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Many typefaces are distinctive or attractive at the expense of legibility and versatility. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart.
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